MA Bibliography as of 10 April 2019

SEKULA, Allan. 1982. ‘On the Invention of Photographic Meaning’. In Victor BURGIN (ed.). Thinking Photography. London: Palgrave Macmillan.

TRACHTENBERG, Alan (ed.). 1980. Classic Essays on Photography. Sedgewick, ME: Leete’s Island Books, Inc.

DARWENT, Charles. 2007. ‘Weblet Importer’. [online]. Available at: http://danielgustavcramer.com/infotxt.html [accessed 1 Apr 2019].

PARISI, Chiara. 2010. ‘Essays and Interview with Daniel Gustav Cramer’. Klat Magazine #04 [online]. Available at: http://danielgustavcramer.com/infotxt.html [accessed 1 Apr 2019].

SUZUKI, Risaku. 2015. Stream of Consciousness. Tokyo: Edition Nord.

BARKER, Emma. 1999. ‘Introduction [IN] Contemporary Cultures of Display’. In Emma BARKER and Open UNIVERSITY (eds.). Contemporary Cultures of Display. New Haven: Yale University Press in association with the Open University, 8–21.

MURRAY, Matthew. 2017. ‘Saddleworth’. [online]. Available at: https://www.matthewmurray.co.uk/saddleworth [accessed 25 Mar 2019].

KEMPTON, Beth. 2018. Wabi Sabi – Japanese Wisdom for a Perfectly Imperfect Life. London: Piatkus.

SUZUKI, Risaku. 2017. Water Mirror. Tokyo: Case Publishing.

JUNIPER, Andrew. 2003. Wabi Sabi – the Japanese Art of Impermanance. First. North Clarendon, VT: Tuttle Publishing.

‘Saddleworth — Matthew Murray Photography’. 2019. [online]. Available at: https://www.matthewmurray.co.uk/saddleworth [accessed 25 Mar 2019].

SONTAG, Susan. 2004. ‘Regarding the Torture of Others’. The New York Times Magazine (23 May 2004), [online]. Available at: ttps://goo.gl/PwSVZ.

SOLNIT, Rebecca. 2001. Wanderlust: A History of Walking. London: Penguin Books.

ROSLER, Martha. 1982. In, Around and Afterthoughts on Documentary Photography in The Contest of Meaning (1992). Edited by Richard Bolton. Cambridge, MA: MIT Press.

EWING, William A. 2014. Landmark: The Fields of Landscape Photography. New York: Thames and Hudson.

‘Jane Austen Believed Beauty Could Come in Every Shape and Size. What Else Can She Teach Us about Wellness? – The Washington Post’. 2019. [online]. Available at: https://www.washingtonpost.com/lifestyle/wellness/jane-austen-thought-every-body-was-beautiful-what-else-can-her-works-teach-us-about-wellness/2019/03/08/9787dbda-3eba-11e9-a0d3-1210e58a94cf_story.html?utm_term=.4a08d894ebcb [accessed 18 Mar 2019].

WELLS, Liz and Simon STANDING (eds.). 2009. Relic. First. Plymouth, UK: University of Plymouth Press.

BARRETT, Terry. 2000. Criticizing Photographs: An Introduction to Understanding Images. New York: McGraw Hill.

VARTANIAN, Ivan, Akihiro HATANAKA and Yutaka KAMBAYASHI. 2006. Setting Sun: Writings by Japanese Photographers. New York: Aperture.

RITCHIN, Fred. 2013. Bending the Frame: Photojournalism, Documentary, and the Citizen. New York: Aperture.

DUPRE, Ben. 2007. 50 Ideas You Really Need to Know- Philosophy. First. London: Quercus Editions, Ltd.

TRACHTENBERG, Alan (ed.). 1980. Classic Essays on Photography. Sedgwick, ME: Leet’s Island Books, Inc.

HEIFERMAN, Marvin. 2012. Photography Changes Everything. First. New York: Aperture.

RITCHIN, Fred. 2009. After Photography. New York: W.W. Norton and Company, Inc.

BRIGHT, Deborah. n.d. The Machine in The Garden Revisited American Environmentalism and Photographic Aesthetics. Available at: http://www.deborahbright.net/PDF/Bright-Machine.pdf [accessed 14 Mar 2019].

‘Gaze | The Chicago School of Media Theory’. 2019. [online]. Available at: https://lucian.uchicago.edu/blogs/mediatheory/keywords/gaze/ [accessed 3 Mar 2019].

‘Pete Davis Tin Sheds of Wales’. 2019. [online]. Available at: http://www.pete-davis-photography.com/sheds.html [accessed 14 Feb 2019].

‘20+ Examples Of Media Manipulating The Truth That Will Make You Question The News’. 2019. [online]. Available at: http://news.shareably.net/20-examples-media-manipulating-the-truth/?utm_source=fb_ads&utm_medium=facebook&utm_campaign=con-20-examples-media-manipulating-the-truth-43210373-1828482422&utm_identifier=61ebf249-eb13-ab34-dacb-1fb2315789e6 [accessed 14 Feb 2019].

‘Charlotte Cotton | 1000 Words’. 2019. [online]. Available at: http://www.1000wordsmag.com/charlotte-cotton/ [accessed 14 Feb 2019].

‘Francis Hodgson | 1000 Words’. 2019. [online]. Available at: http://www.1000wordsmag.com/francis-hodgson/ [accessed 14 Feb 2019].

‘Sean O’Hagan | 1000 Words’. 2019. [online]. Available at: http://www.1000wordsmag.com/sean-o-hagan/ [accessed 14 Feb 2019].

DAY, Andy. 2019. ‘Every Photograph You’ve Ever Taken Is a Lie: Steve McCurry, Tom Hunter, and the Problem With Visual Storytellers | Fstoppers’. Fstoppers [online]. Available at: https://fstoppers.com/documentary/every-photograph-youve-ever-taken-lie-steve-mccurry-tom-hunter-and-problem-334178 [accessed 13 Feb 2019].

BARTHES, Roland. 1977. Image Music Text. New York: Hill and Wang.

SNYDER, Joel and Neil Walsh ALLEN. n.d. ‘Photography, Vision and Representation’. Critical Inquiry 141–69.

HAND, Martin. 2012. Ubiquitous Photography. Cambridge: Polity Press.

SHORE, Stephen. 2007. The Nature of Photographs. 2018th edn. London and New York: Phaidon Press.

BENJAMIN, Walter. 1931. Selected Writings 2, Part 2 1931-1934. Edited by G. Eiland, H., Jennings, M.W., and Smith. Cambridge, MA and London: Belknap Press.

BARTHES, Roland. 1981. Camera Lucida: Reflections on Photography. New York: Hill and Wang.

‘Matthew Murray — Elliott Halls Gallery’. 2019. [online]. Available at: https://www.elliotthalls.com/matthew-murray [accessed 4 Feb 2019].

MILLER, Johnny. 2019. ‘Unequal Scenes – Locations’. [online]. Available at: https://unequalscenes.com/projects [accessed 4 Feb 2019].

‘Layla Curtis’. 2019. [online]. Available at: http://www.laylacurtis.com/work/project/45 [accessed 4 Feb 2019].

‘Unequal Scenes – Locations’. 2019. [online]. Available at: https://unequalscenes.com/projects [accessed 31 Jan 2019].

‘Safety in Numbness: Some Remarks on the Problems of “Late Photography’’ – David Campany”’. 2019. [online]. Available at: https://davidcampany.com/safety-in-numbness/ [accessed 30 Jan 2019].

‘Aerographica – About’. 2019. [online]. Available at: http://aerographica.org/about/ [accessed 30 Jan 2019].

STERNFELD, Joel., Adam. GOPNIK, John R. STILGOE and FRIENDS OF THE HIGH LINE. 2009. Walking the High Line. Steidl.

STERNFELD, Joel. 1996. On This Site : Landscape in Memoriam. Chronicle Books.

SZARKOWSKI, John. 1966. The Photographer’s Eye. 7th printi. New York: The Museum of Modern Art.

‘Axel Hütte’. 2019. [online]. Available at: https://www.zingmagazine.com/zing3/reviews/034_hutte.html [accessed 11 Jan 2019].

‘Axel Hütte’. 2019. [online]. Available at: https://www.deutscheboersephotographyfoundation.org/en/collect/artists/axel-huette.php [accessed 11 Jan 2019].

‘Landscape Stories: 80/2014 Axel Hütte’. 2019. [online]. Available at: http://www.landscapestories.net/interviews/80-2014-axel-hutte?lang=en [accessed 10 Jan 2019].

‘Anthropocene Reveals the Scale of Earth’s Existential Crisis – NOW Magazine’. 2019. [online]. Available at: https://nowtoronto.com/culture/art-and-design/anthropocene-burtynsky-baichwal-ago/ [accessed 10 Jan 2019].

‘Aerial Photographs Convey Humanity’s Devastating Effects on Nature’. 2019. [online]. Available at: https://hyperallergic.com/474175/burtynsky-anthropocene-project/ [accessed 9 Jan 2019].

‘Anthropocene Art Show and Documentary Will Shock You with a View of Human Impact on the Planet – The Globe and Mail’. 2019. [online]. Available at: https://www.theglobeandmail.com/arts/film/reviews/article-four-year-collaboration-project-looks-to-evangelize-the-term/ [accessed 9 Jan 2019].

‘Edward Burtynsky – The Anthropocene Project – Photo Review’. 2019. [online]. Available at: https://www.photoreview.com.au/stories/edward-burtynskys-anthropocene-project/ [accessed 9 Jan 2019].

‘Sprawling Anthropocene Project Shows Humanity’s Enormous Impact on the Planet | The Star’. 2019. [online]. Available at: https://www.thestar.com/entertainment/visualarts/review/2018/09/30/sprawling-anthropocene-project-shows-humanitys-enormous-impact-on-the-planet.html [accessed 9 Jan 2019].

‘The Anthropocene Project — Edward Burtynsky’. 2019. [online]. Available at: https://www.edwardburtynsky.com/projects/the-anthropocene-project/ [accessed 9 Jan 2019].

BURTYNSKY, Edward, Jennifer BAICHWAL and Nicholas DE PENCIER. 2018. Anthropocene. Gottingen: Steidl.

PAULI, Lori. 2003. Manufactured Landscapes: The Photographs of Edward Burtynsky. 7th (2014. Ottawa: National Gallery of Canada.

DURDEN, Mark (ed.). 2013. 50 Key Writers on Photography. First. Milton Park: Routledge, Taylor & Francis Group.

DELEUZE, Gilles. 1997. Essays Critical and Clinical. University of Minnesota Press.

DELEUZE, Gilles. 1997. Negotiations. NYC: Columbia University Press.

DELEUZE, Gilles. 2002. Desert Islands: And Other Texts, 1953-1974. Los Angeles: Semiotexte.

ADAMS, Robert. 1994. Why People Photograph. 1st edn. New York: Aperture.

STANFORD UNIVERSITY. and CENTER FOR THE STUDY OF LANGUAGE AND INFORMATION (U.S.). 1997. Stanford Encyclopedia of Philosophy. Stanford University. Available at: https://plato.stanford.edu/entries/deleuze/ [accessed 21 Dec 2018].

‘THE DETACHED GAZE | THOUGHTS AND SOURCES ON ALTERNATIVE WAYS OF SEEING’. 2018. [online]. Available at: https://thedetachedgaze.com/ [accessed 16 Dec 2018].

‘Cindy Sherman: Me, Myself and I | Art and Design | The Guardian’. 2018. [online]. Available at: https://www.theguardian.com/artanddesign/2011/jan/15/cindy-sherman-interview [accessed 14 Dec 2018].

‘Axel Hütte | Artnet’. 2018. [online]. Available at: http://www.artnet.com/artists/axel-hütte/ [accessed 3 Dec 2018].

‘Edward Burtynsky’. 2018. [online]. Available at: https://www.edwardburtynsky.com/ [accessed 3 Dec 2018].

‘Biography — Edward Burtynsky’. 2018. [online]. Available at: https://www.edwardburtynsky.com/about/biography/ [accessed 2 Dec 2018].

‘Coming-Soon–of-Love-War : Lynsey Addario, Photographer’. 2018. [online]. Available at: http://www.lynseyaddario.com/ [accessed 27 Nov 2018].

‘Work – Simon Roberts’. 2018. [online]. Available at: https://www.simoncroberts.com/work/ [accessed 27 Nov 2018].

OORTHUYS, Cas. and Willem van. ZOETENDAAL. 1992. Cas Oorthuys, Guaranteed Real Dutch, Congo. Uitgeverij DUO/DUO. Available at: https://www.google.com/search?q=cas+oorthuys+photographer&rlz=1C1ZKTG_enUS685GB690&tbm=isch&tbo=u&source=univ&sa=X&ved=2ahUKEwj_pd7hrvPeAhUSSK0KHTqoBwIQiR56BAgBEBE&biw=1536&bih=723 [accessed 27 Nov 2018].

‘Edward Burtynsky’. 2018. [online]. Available at: https://www.edwardburtynsky.com/ [accessed 24 Nov 2018].

‘Biography of Axel Hutte | Widewalls’. 2018. [online]. Available at: https://www.widewalls.ch/artist/axel-hutte/ [accessed 24 Nov 2018].

‘Biography of Axel Hutte | Widewalls’. 2018. [online]. Available at: https://www.widewalls.ch/artist/axel-hutte/ [accessed 20 Nov 2018].

‘History of Photography’. 2018. [online]. Available at: http://www.visual-arts-cork.com/photography/photo-history.htm [accessed 19 Nov 2018].

‘History of Art Timeline’. 2018. [online]. Available at: http://www.visual-arts-cork.com/history-of-art-timeline.htm [accessed 19 Nov 2018].

‘Learning from the Master • Inge Morath • Magnum Photos’. 2018. [online]. Available at: https://www.magnumphotos.com/theory-and-practice/learning-from-the-master/ [accessed 27 Oct 2018].

‘Power and the Camera: Gregory Halpern Talks Intuition, Reflection and Representation • Magnum Photos’. 2018. [online]. Available at: https://www.magnumphotos.com/theory-and-practice/gregory-halpern-profile-intuition-representation/ [accessed 27 Oct 2018].

HURN, David and Bill JAY. 2009. On Being a Photographer. Third. Anacortes, WA: LensWork Publishing.

JAY, Bill. n.d. Occam’s Razor: An Outside-In View of Contemporary Photography. Third. Tucson, AZ: Nazraeli Press.

POLANYI, Michael. 1966. The Tacit Dimension. 2009th edn. Chicago and London: University of Chicago Press.

MUYBRIDGE, Eadweard. 1979. Muybridge’s Complete Human and Animal Locomotion, Volume III. New York: Dover Publications.

‘Paul Severn Golf Photographer /Golf Course Images/Golf Tournaments/Golf Picture Library’. 2018. [online]. Available at: https://www.severnimages.com/index [accessed 22 Aug 2018].

‘11 Tips: How to Make Amazing Golf Course Photos – Golf Photography by Kaia Means’. 2018. [online]. Available at: http://golfvisuals.com/amazing-golf-course-photos/ [accessed 22 Aug 2018].

‘Golf Photography – Mark Alexander’. 2018. [online]. Available at: http://www.markalexandergolfphotography.com/golf-photography/ [accessed 22 Aug 2018].

‘Kevin Murray Golf Photography | Golf Photos | Top Golf Photographer’. 2018. [online]. Available at: http://kevinmurraygolfphotography.com/ [accessed 22 Aug 2018].

‘POWERS OF TEN AND THE RELATIVE SIZE OF THINGS IN THE UNIVERSE | Eames Office’. 2018. [online]. Available at: http://www.eamesoffice.com/the-work/powers-of-ten/ [accessed 20 Aug 2018].

‘The Dunes — Sophie Gerrard’. 2018. [online]. Available at: https://www.sophiegerrard.com/work/the-dunes/ [accessed 17 Aug 2018].

‘Yann Arthus-Bertrand’. 2018. [online]. Available at: http://www.yannarthusbertrand.org/ [accessed 13 Aug 2018].

‘Marilyn Bridges Photography: Ancient and Contemporary Locations Worldwide, Prints and Books Available.’ 2018. [online]. Available at: https://marilynbridges.com/ [accessed 13 Aug 2018].

‘Alex MacLean, Aerial Photographer’. 2018. [online]. Available at: http://www.alexmaclean.com/ [accessed 13 Aug 2018].

SCHIEL, Skip. 2018. ‘What Is Social Landscape Photography? | Teeksa Photography—Skip Schiel’. [online]. Available at: https://skipschiel.wordpress.com/2016/11/29/what-is-social-landscape-photography/ [accessed 13 Aug 2018].

BARNES, Richard. 2018. ‘Civil War — Richard Barnes’. [online]. Available at: http://www.richardbarnes.net/civil-war-1/ [accessed 9 Aug 2018].

KLEON, Austin. 2012. Steal Like an Artist: 10 Things Nobody Told You about Being Creative. Steal Like an Artist, vol. 53. New York: Workman Publishing Company. Available at: https://books.google.com/books?id=NVZuUSJtpcQC.

KLEON, Austin. 2014. Show Your Work: 10 Ways to Share Your Creativity and Get Discovered. New York: Workman Publishing Company.

FLUSSER, Vilém. 1983. Towards a Philosophy of Photography. English. London: Reaktion Books Ltd.

‘Walead Beashty Cyanotypes – Google Search’. 2018. [online]. Available at: https://www.google.com/search?q=walead+beashty+cyanotypes&client=firefox-b-ab&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjttqT3uJzcAhWU0aYKHbPUBMwQ_AUICigB&biw=1440&bih=733 [accessed 13 Jul 2018].

‘John Hallmén’. 2018. [online]. Available at: http://www.johnhallmen.se/2016/12/8/emus-hirtus-1 [accessed 10 Jul 2018].

‘John Hallmén’. 2018. [online]. Available at: http://www.johnhallmen.se/2016/4/25/morning-stretch [accessed 8 Jul 2018].

‘You Talking To Me? On Curating Group Shows That Give You a Chance to Join the Group :: What Makes a Great Exhibition?’ 2018. [online]. Available at: https://content.talisaspire.com/falmouth/bundles/59145899540a2631415f8494 [accessed 8 Jul 2018].

SONTAG, Susan. 1977. On Photography. Hammondsworth, UK: Penguin Books Ltd.

AZOULAY, Ariella. 2016. ‘Photography Consists of Collaboration: Susan Meiselas, Wendy Ewald, and Ariella Azoulay’. Camera Obscura: Feminism, Culture, and Media Studies 31(1 91), [online], 187–201. Available at: https://read.dukeupress.edu/camera-obscura/article/31/1 (91)/187-201/97593.

TAGG, John. 1988. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press.

BERGER, John. 1972. Ways of Seeing. Ways of Seeing. London: Penguin Books Ltd.

BEAR, Jordan and Kate Palmer ALBERS. 2017. Before-and-After Photography; Histories and Contexts. 1st edn. London; New York: Bloomsbury Academic.

BARTHES, Roland. 1981. ‘Camera Lucida: Reflections on Photography’. New York Hill and Wang [online], 134. Available at: http://scholar.google.co.il/scholar?q=camera+lucida&btnG=&hl=en&as_sdt=0,5#0.

DERGES, Susan. 2018. ‘Susan Derges’. [online]. Available at: http://susanderges.co.uk/ [accessed 6 Jul 2018].

GILL, Stephen. 2018. ‘Stephen Gill Portfolio’. [online]. Available at: https://www.stephengill.co.uk/portfolio/portfolio [accessed 6 Jul 2018].

‘Jenny Odell • Travel by Approximation’. 2018. [online]. Available at: http://www.jennyodell.com/tba.html [accessed 27 Jun 2018].

‘Highland Councillors Defy Their Officials by Voicing Unanimous Support for Coul Links Plans | Press and Journal’. 2018. [online]. Available at: https://www.pressandjournal.co.uk/fp/news/highlands/1491262/highland-councillors-defy-their-officials-by-voicing-unanimous-support-for-coul-links-plans/ [accessed 25 Jun 2018].

‘Coul Links Conservation Case | Our Work – The RSPB’. 2018. [online]. Available at: https://www.rspb.org.uk/our-work/our-positions-and-casework/casework/cases/coul-links/ [accessed 25 Jun 2018].

‘Councillors Defer Decision on Coul Links Golf Course – BBC News’. 2018. [online]. Available at: https://www.bbc.co.uk/news/uk-scotland-highlands-islands-44371329 [accessed 25 Jun 2018].

‘Embo’s Coul Links Golf Course Backed by Councillors – BBC News’. 2018. [online]. Available at: https://www.bbc.co.uk/news/uk-scotland-highlands-islands-44537876 [accessed 25 Jun 2018].

‘Highland Fury as Trump Rival Drives Golf Course Plan Forward | UK News | The Guardian’. 2018. [online]. Available at: https://www.theguardian.com/uk-news/2018/jun/23/highland-fury-trump-rival-drives-golf-course-plan [accessed 25 Jun 2018].

‘İki Deniz Arası – Between Two Seas – Home | Facebook’. 2018. [online]. Available at: https://www.facebook.com/ikidenizarasi [accessed 24 Jun 2018].

‘The Collaborative Turn :: Taking the Matter into Common Hands; Contemporary Art and Collaborative Practices’. 2018. [online]. Available at: https://content.talisaspire.com/falmouth/bundles/590c9d26540a2665d636d414 [accessed 22 Jun 2018].

‘The Social Turn: Collaboration and Its Discontents :: Artificial Hells; Participatory Art and the Politics of Spectatorship’. 2018. [online]. Available at: https://content.talisaspire.com/falmouth/bundles/590c4a61646be007c630a054 [accessed 22 Jun 2018].

‘What Is Repeat Photography? – Exploring Land Cover Change Through Repeat Photography’. 2018. [online]. Available at: http://denalirepeatphotos.uaf.edu/index.php/about-the-project/what-is-repeat-photography/ [accessed 20 Jun 2018].

‘The Repeat Photography Project’. 2018. [online]. Available at: http://repeatphotography.org/intro/ [accessed 20 Jun 2018].

BEAR, Jordan and Kate PALMER ALBERS. 2017. Before-and-after Photography: Histories and Contexts. Bloomsbury. Available at: https://www.vlebooks.com/vleweb/Product/Index/959280 [accessed 20 Jun 2018].

BOERMA, Pauline. 2006. ‘Assessing Forest Cover Change in Eritrea—A Historical Perspective’. Mountain Research and Development.

ZIER, James L. and William L. BAKER. 2006. ‘A Century of Vegetation Change in the San Juan Mountains, Colorado: An Analysis Using Repeat Photography’. Forest Ecology and Management 228(1–3), [online], 251–62. Available at: http://linkinghub.elsevier.com/retrieve/pii/S0378112706001770 [accessed 17 Jun 2018].

SONNENTAG, Oliver et al. 2012. ‘Digital Repeat Photography for Phenological Research in Forest Ecosystems’. Agricultural and Forest Meteorology 152, [online], 159–77. Available at: http://linkinghub.elsevier.com/retrieve/pii/S0168192311002851 [accessed 17 Jun 2018].

SMITH, Trudi. 2007. ‘Repeat Photography as a Method in Visual Anthropology’. Visual Anthropology 20(2–3), [online], 179–200. Available at: http://www.tandfonline.com/doi/abs/10.1080/08949460601152815 [accessed 17 Jun 2018].

BULLOCK, Stephen H., Nora E. MARTIJENA, Robert H. WEBB and Raymond M. TURNER. 2004. ‘Twentieth Century Demographic Changes in Cirio and Cardón in Baja California, México’. Journal of Biogeography 32(1), [online], 127–43. Available at: http://doi.wiley.com/10.1111/j.1365-2699.2004.01152.x [accessed 17 Jun 2018].

HENDRICK, Laura E. and Carolyn A. COPENHEAVER. 2009. ‘Using Repeat Landscape Photography to Assess Vegetation Changes in Rural Communities of the Southern Appalachian Mountains in Virginia, USA’. Mountain Research and Development 29(1), [online], 21–9. Available at: http://www.bioone.org/doi/10.1659/mrd.1028 [accessed 17 Jun 2018].

BURTON, Christopher, Jerry T. MITCHELL and Susan L. CUTTER. 2011. ‘Evaluating Post-Katrina Recovery in Mississippi Using Repeat Photography’. Disasters 35(3), [online], 488–509. Available at: http://doi.wiley.com/10.1111/j.1467-7717.2010.01227.x [accessed 17 Jun 2018].

‘The Repeat Photography Project’. 2018. [online]. Available at: http://repeatphotography.org/intro/ [accessed 17 Jun 2018].

GARNETT, Joy and Susan MEISELAS. n.d. ‘ON THE RIGHTS OF MOLOTOVMAN Appropriation and the Art of Context’ [online]. Available at: http://www.firstpulseprojects.com/On-the-Rights-of-Molotov-Man.pdf [accessed 15 Jun 2018].

JOHNSON P and G ROGERS. 2003. ‘Ephemeral Wetlands and Their Turfs.’ Science for Conservation 230.

SMILES, Sam. n.d. ‘Critical Contexts’. Available at: http://www.tate.org.uk/research/publications/in-focus/mousehold-heath-norwich-john-crome/critical-contexts [accessed 13 Apr 2018].

GERRARD, Sophie. n.d. ‘The Dunes’. [online]. Available at: https://www.sophiegerrard.com/work/the-dunes/.

BATE, David. 2016. Photography; The Key Concepts. 2nd edn. The Key Concepts. London and New York: Bloomsbury Academic.

WELLS, Liz. 2015. Photography: A Critical Introduction. Fifth. London ; New York: Routledge, Taylor & Francis Group.

WEBB, Robert, Diane BOYER and Raymond TURNER. 2010. Repeat Photography: Methods and Applications in the Natural Sciences. Washington, DC: Island Press.

WELLS, Liz. 2011. Land Matters: Landscape Photography, Culture and Identity. London ; New York: I.B. Tauris.

KLETT, Mark. 2003. ‘Yosemite in Time’. [online]. Available at: http://www.markklettphotography.com/yosemite-in-time/.

KLETT, Mark. 1979. ‘Rephotographic Survey Project’. [online]. Available at: http://www.markklettphotography.com/rephotographic-survey-project/.

ARNOLD, Darrell. 2011. ‘Hegel and Ecologically Oriented System Theory’. Journal of Philosophy 7(16), [online], 0_3. Available at: http://ezproxy.falmouth.ac.uk/docview/1170929513?accountid=15894.

WALKER, John A. 1997. ‘ The Camerawork Essays: Context and Meaning in Photography ’. In Jessica EVANS (ed.). London: Rivers Oram, 52–63.

VON BERTALANFFY, Ludwig. 2008. ‘An Outline of General System Theory’. Emergence: Complexity & Organization 10(2), [online], 103–23. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=34099391&site=ehost-live.

GERRARD, Sophie. n.d. ‘The Dunes’. [online]. Available at: https://www.sophiegerrard.com/work/the-dunes/.

KLETT, Mark. 2003. ‘Yosemite in Time’. [online]. Available at: http://www.markklettphotography.com/yosemite-in-time/.

KLETT, Mark. 1979. ‘Rephotographic Survey Project’. [online]. Available at: http://www.markklettphotography.com/rephotographic-survey-project/.

WEBB, Robert, Diane BOYER and Raymond TURNER. 2010. Repeat Photography:  Methods and Applications in the Natural Sciences. Washington, DC: Island Press.

WELLS, Liz. 2011. Land Matters: Landscape Photography, Culture and Identity. London ; New York: I.B. Tauris. Available at: http://www.loc.gov/catdir/enhancements/fy1208/2011293251-b.html.

WELLS, Liz. 2015. Photography: A Critical Introduction. Fifth. London ; New York: Routledge, Taylor & Francis Group.

BATE, David. 2016. Photography; The Key Concepts. 2nd edn. The Key Concepts. London and New York: Bloomsbury Academic.

WALKER, John A. 1997. ‘ The Camerawork Essays: Context and Meaning in Photography’. In Jessica EVANS (ed.). London: Rivers Oram, 52–63.

VON BERTALANFFY, Ludwig. 2008. ‘An Outline of General System Theory’. Emergence: Complexity & Organization 10(2), [online], 103–23. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=34099391&site=ehost-live.

ARNOLD, Darrell. 2011. ‘Hegel and Ecologically Oriented System Theory’. Journal of Philosophy 7(16), [online], 0_3. Available at: http://ezproxy.falmouth.ac.uk/docview/1170929513?accountid=15894.

STICHWEH, Rudolf. n.d. ‘Systems Theory’ [online]. Available at: https://www.fiw.uni-bonn.de/demokratieforschung/personen/stichweh/pdfs/80_stw_systems-theory-international-encyclopedia-of-political-science_2.pdf [accessed 12 Apr 2018].

 

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