Photographer Research – Chrystel Lebas

While Ms. Lebas had been recommended to me earlier on the course and I had looked at her work, I didn’t find it as relevant to what I was doing at the time.  Now, as I move into FMP and the work of prior terms is coming together into a conceptual framework that brings together elements from each of my prior sets of work I find her work especially relevant and directly related to work I am doing.  I am particularly interested in her publications and exhibitions, but also how she has revisited places and used rephotography to show how those landscapes have changed over the intervening years.

Her website is Chrystel Lebas.

I am also interested in how she has incorporated video into her exhibit installations; something I believe is important to mine. Video provides a a perspective and is by its nature immersive, drawing the viewer into scenes they could not otherwise have experienced.

Another interesting element is now that my aesthetic has evolved over the course, I see similarities with much of her work.  When I first looked at it many months ago, I discounted it in part because the aesthetic and way she approached her subject matter was quite different than what I was doing and the way that I was doing it at the time.  Re-examining it now, Lebas’ work bears some commonality with that of Daniel Gustav Cramer with the slightly darker feel that I have evolved to embrace i much of my recent work.  I find it much more evocative and moody, and it encourages the viewer to linger a while in order to really see what is in the photo and feel what is in the scene.

Research – Exhibitions

Over the next week I will be visiting museums and galleries in Rotterdam, Antwerp, Liege and Brussels with an eye toward seeing different ways of exhibiting work that will help to inform the way that I will chose to exhibit my FMP.  I will be looking specifically for effective exhibition strategies, particularly with a series of work that includes a narrative sequence.  I want to see how artists and curators create a visual narrative and to see how much it depends on explanatory or accompanying text, or whether it can also be done without.

As I refine the theme of my FMP and begin to collect the work that will be required, I am also considering how it will be edited, curated and displayed. Among the ideas for my exhibition is a concept published in my FMP proposal and repeated below.

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I look forward to reporting on what I will have seen next week.

FMP Pecha Kucha

The first task for Final Major Project (FMP) was to create a Pecha Kucha presentation (20 slides, 20 seconds per slide) to explain briefly the project I intend to undertake as an introduction for the Module Leader and other students.  I spent much of the interim period since the end of the last module wrestling with how I was going to approach FMP.  The original intent of the Coul Links project was to show how the natural state of the site was affected by development.  Since the development decision is now not expected until late summer at the earliest the FMP project needed to take a different direction.

For more information, please have a look at the following link.