While Ms. Lebas had been recommended to me earlier on the course and I had looked at her work, I didn’t find it as relevant to what I was doing at the time. Now, as I move into FMP and the work of prior terms is coming together into a conceptual framework that brings together elements from each of my prior sets of work I find her work especially relevant and directly related to work I am doing. I am particularly interested in her publications and exhibitions, but also how she has revisited places and used rephotography to show how those landscapes have changed over the intervening years.
Her website is Chrystel Lebas.
I am also interested in how she has incorporated video into her exhibit installations; something I believe is important to mine. Video provides a a perspective and is by its nature immersive, drawing the viewer into scenes they could not otherwise have experienced.
Another interesting element is now that my aesthetic has evolved over the course, I see similarities with much of her work. When I first looked at it many months ago, I discounted it in part because the aesthetic and way she approached her subject matter was quite different than what I was doing and the way that I was doing it at the time. Re-examining it now, Lebas’ work bears some commonality with that of Daniel Gustav Cramer with the slightly darker feel that I have evolved to embrace i much of my recent work. I find it much more evocative and moody, and it encourages the viewer to linger a while in order to really see what is in the photo and feel what is in the scene.